Lawrence
CoulsonI have been surrounded by the art business for as long as I can remember, my
father being Gerald Coulson, one of the country's foremost landscape and aviation artists.
I grew up with oil paintings propped up to dry in various places around the house and kind
of took it all for granted. My father worked in a spare bedroom and for a while as a young
child I thought all Dad's did the same. I was always encouraged to draw, my main subject
being cars. As I grew up, all I ever wanted to be was a car designer, an occupation I
would have loved to have pursued.
I never really excelled in art at school and having left at the age of 16 I started one
of three positions in the retail business. By the age of 21, my father encouraged me to
have ago at some oil painting. He gave me some pointers at technique, which colours to
use, and the importance of tone values. The first attempts were pleasing enough and sold
for £30 each in a local pub. Selling a few in this manner gave me the confidence to
approach a local gallery and up until the mid-nineties this was the mainstay of my part
time career. At this point I was convinced that I wanted, and needed, to paint
professionally.
I then started hanging work in a local restaurant at the suggestion of the owner, where
I sold paintings on a regular basis. I had met both Paul Green and Glyn Washington through
my father years before and on discovering Paul was visiting my fathers studio, I arranged
for a piece of my work to be on view there. I also arranged a one-night exhibition at the
restaurant with the support of its owner and invited Paul Green from the Halcyon Gallery
to attend. To my surprise and delight he did, buying most of the work in the process. Over
the next few months I worked as hard as I could to keep up with the demand. This meant
that I was retail manager by day and landscape painter by night/weekend. It eventually
took its toll on me and I realized that something had to give. It took weeks for me to
actually do it, as we had a young child and were not in the best of financial health, but
on 4th July 1997 I handed in my notice at the
Office and became a professional artist.
Almost immediately the quality of my work improved and after several successful
showings at the Halcyon Gallery, Washington Green embarked on a publishing programme.
Since joining them my career has gone from strength to strength and I now attend
promotional exhibitions all around the country.